THE
SKELETON TWINS 3.2***
The film opens with Milo
(Bill Hader) failing at a suicide attempt and winding up at the hospital, and
twin sister Maggie (Kristen Wiig) receiving the call while she’s attempting her
own suicide attempt. Maggie brings the LA-based Milo back to New York to live with her and her human
Labrador of a husband Lance (Luke Wilson). As both come to grips with their
brushes with death, they start to face and accept their personal demons. Some of the major revelations that occur are
incredibly well-handled giving the audience hints of what’s to come but
never making it clear how dysfunctional average-looking people can be.
The major
pull for this film is to see what Wiig and Hader can do (They performed
together often when they were on Saturday Night Live). It shouldn't come as a
surprise that Wiig (great in “Bridesmaids”) is absolutely terrific, as adept
with the drama as the comedy. Her performance sits in the space between
the two, that delectable tension of wondering in what direction she will go
The great delight though is Bill Hader, who proves to be just as
skillful as his co-star. Milo is the more "showy" role, a gay actor
riddled with emotion and neurosis, but what a relief to see Hader err away from
the cliché and worry more about Milo as a character rather than his sexuality .
And together, Wiig and Hader are absolutely electric, a powerhouse on-screen
team that bring out the best in each other. When the sh** hits the fan, both
come out with guns blazing, and leave you cheering as the twins find a place
for each other in their complicated lives. There is also excellent work from
Luke Wilson, Ty Burrell as Milo's old high school teacher/lover and Joanna
Gleeson as their self-absorbed hippy mother
There
is lots of darkness here. We see suicide attempts, adultery, depression and
more, and it's not hidden behind fancy camera work or elevated language. It
feels real and you can relate to it. These characters show what families can
offer and take away. Nonetheless,
'The Skeleton Twins' is a beautifully pitched film that asks you to feel for a
bit, sometimes in ways that feel a little too close to home or too difficult to
ponder, but rewards you with hope and heart.
Rated R for language,
some sexuality and drug use… but a “soft” R.
Clark
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